Deining

by Wolter Wierbos

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    Wolter Wierbos - Deining CD

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1.
2.
3.
02:27
4.
03:45
5.
05:18
6.
01:02
7.
06:35
8.
02:05
9.
10.
02:14
11.
02:42
12.
04:34

about

These live improvisations and compositions from the Amsterdam houseboat of trombone virtuoso Wolter Wierbos showcase him with some of the top Dutch improvisers in a uniquely intimate and spontaneous setting.
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For trombonist Wolter Wierbos, it’s all about fluidity: of tone, and time, of line and strategy and setting. It’s been said he can sound like a whole Ellington trombone section, from plunger-muted ya-yas to gorgeous melody statements, to dark shadings in the corners. He improvises free-associative solo concerts that suggest still more avenues to investigate. Even in composed music, he may improvise—might make up a better trombone line than the one written for him. No wonder he’s a 30-year linchpin of Misha Mengelberg’s ICP Orchestra, where the players are always re-arranging the tunes. But he’ll always nail a part if the harmonies depend on it.

“I see myself as a sort of sculptor or painter,” Wierbos says, “putting sound, rhythm and form into the music. This mostly happens very intuitively and on the spot. My range goes from totally improvised music to material that’s mostly written out. The music I like to play most has a lot of my own invention in it—and improvised forms, the principle of instant composing. When music is 100% written out, I lose interest.”

For a quicksilver player, he’s had long tenures in the co-op Available Jelly, and the bands and orchestras of Gerry Hemingway, Maarten Altena, Guus Janssen, and Sean Bergin. The groups he puts together for concert presentations at dOeK festivals (or his Amsterdam houseboat concerts) may improvise from scratch, or he may invite himself into another composer/performer’s concept: the rhythmically fiendish guitarist Franky Douglas, or the Moluccan-Dutch singer Monica Akihary.

“Communicating with my fellow musicians, that’s the whole idea. I try not to be a show-off. Musical communication in improvised form is very difficult, and calls for a lot of openness from the players. It’s always work in progress. With some musicians it’s easy because you speak the same language. With others it’s almost impossible—but even then it can be an adventure.”

Kevin Whitehead

credits

released January 1, 2009

Wolter Wierbos - trombone
Wilbert de Joode - double bass (tracks 1-6, 18)
Franky Douglas - guitar (tracks 7, 11, 17)
Ab Baars - tenor saxophone, no-kan (tracks 8-10)
Han Bennink - snare drum, toys, voice, mouth organ and sopranino saxophone (tracks 12, 14, 16)
Mary Oliver - viola (tracks 15, 16)

Recorded by Niels Brouwer
Mixed and mastered by Niels Brouwer
Artwork by Niels Brouwer and Wolter Wierbos
Cover photo by Fieke Broekhuizen
Produced by Wolter Wierbos

Thanks to: Ab, Wilbert, Han, Mary, Franky, stichting dOeK and Fieke.

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about

Doek Amsterdam, The Netherlands

dOeK is an Amsterdam-based collective of improvising musicians who play in various ensembles and organise tours, projects and a yearly festival.

The seven core members of Stichting dOeK are:

Eric Boeren
John dikeman
Cor Fuhler
Oscar Jan Hoogland
Michael Moore
Wilbert de Joode
Wolter Wierbos

Coordinator: Carolyn Muntz
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